In the lower left, you will see the Encoding panel become active.Īfter Media Encoder is finished, your file will be ready to use (and ingest) from the save location that you designated. When you are ready to export, hit the green play button on top of the Queue and you will see the progress bar begin. Do not start your filename with a number or use spaces or special characters in your file name. Simply dragging the preset on the right and dropping it over your file on the left (in the Queue) will prepare your video completely for export.Ĭlick on the Output File to change the name and location of the file. You should see DOM Preset 2017 V3 HD, in the Preset Browser Window under User Presets & Groups Import the DOM Preset Encoder file you downloaded.Ĭlick on PRESET on the Top Menu Bar, then click IMPORT It will now send it to the Export Queue in Media Encoder. When you are ready to export, select the Sequence panel so that it has a blue outlineĬlick Queue to export using Media Encoder. This tutorial assumes you have an Adobe Premiere Pro project, you can also skip down and start by importing a project or file directly into Media Encoder. It also allows you to go back to Premiere and continue to work on another project while Media Encoder exports your file. HELPFUL TIP: Using Adobe Media Encoder Queue is found to have a more detailed export process and shows you more information regarding the status of your video. NAMING YOUR FILE - VERY IMPORTANT: DO NOT use numbers at the beginning of your filename and DO NOT use any spaces or symbols (except for dot and underscore). MP4 UPDATE - PLEASE DOWNLOAD THIS 2017 Creative Cloud Export Preset. MP4 UPDATE - PLEASE DOWNLOAD THIS 2018 Creative Cloud Export Preset.įor Adobe Creative Cloud 2017 NEW. There are many other persons over "there" of great help.All Content must be HD: 1920 x 1080 (HDTV 1080i).Ĭheck which version of Adobe Creative Cloud you are using, then download the preset, and import it into Media Encoder to use the correct DOM File Ingest Settings for your Export. Not the cheapest, but one heck of a service. safeharbor11 is Jeff Pulera, who works for SafeHarbor computers, which can work with anyone to build a rig that's not only specced to your needs but also comes with the programs you'll use loaded and setup. Bill Gehrke is the person with test data from thousands of hardware pieces & combos. I study the stuff on the Hardware forum, then have my computer geek build or modify for me. There are some higher-cost machines built more for graphics use from a couple makers, but a lot of "use" have them built by someone who knows the gear and our needs. Leaving that sense of being part of a cool group, yea. In talking with some of my graphics-based friends, one of the harder things in going to a PC is "Which brand do I now join?". it pains me to see the way they've devalued the relationship with the graphics community they were such a part of for so long. and I'm a full-blown capitalist cheering section, understand!. And this re-branding as the device-centric company may be wise for profitability. I appreciated that ethos, if I couldn't justify the cost of the hardware. Right!īut Apple so long was identifying itself as the graphics OS for serious, major projects. With the MASSIVE 40 megabyte hard drive, that so many told was was absurdly over-kill. I've never been a Mac person, our first PC in the business was back around the late 80's I think, a 276. Plus, many of the current issues with Macs on the forum here are Mac-only issues, even though I think most of the PrPro engineering staff (all the ones I've met at NAB certainly) are Mac people primarily. The biggest hardware upgrades have come on the PC side of things for several years running. and the performance differences are impressive enough they've moved. they've had to look at what similar amounts would get on the other 'side'. Trying to build a new and very powerful grading suite around a Mac with an ancient mobo. with a CEO who says publicly he has no idea why anyone would buy a desktop, and several complete announcement cycles from Curpertino without anything for more than a laptop being mentioned (though they did had a small bit for d-tops this last one I think. Sheer power and variability of the hardware for the buck is a large part of it, but. Many of the colorists I know (and there are few areas more Mac-centric than colorists) have been teaching how to jump ship to PC's, typically going to dual-boot Win/Linux setups. However, the Mac's have a several-year-old mobo among other things.
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